Books with title As You Like it

George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor’s Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play’s performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge’s superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare’s sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare’s words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare’s life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions’ Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.

As You Like It from the actual First Folio. This eBook has an interactive Table of Contents which pinpoints each scene, making it easy to find your way about the play. It is a great pleasure to read and study this play in its original setting. Looks really great on Kindle Fire, tablet, android, iPad, phone, etc.These images have a very high resolution, perfect for zooming in on the details of each page.

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.

As You Like It, Shakespeare's most lighthearted comedy and one of the best-loved and most performed of all his plays, was probably written in 1599 or 1600, though it was not printed until the First Folio of 1623. As its witty heroine is Shakespeare's longest female role, the play's performance history is marked by notable Rosalinds, from Hannah Pritchard and Margaret Woffington (giving rival performances in 1741), to Helen Faucit, Ada Rehan, Peggy Ashcroft, Katharine Hepburn, Vanessa Redgrave, Ronald Pickup (in an all-male production of 1967), Juliet Stevenson, and many others.

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.

Jenny Oldfield's As You Like It is a fresh, youthful retelling of Shakespeare's comedy. When half of the royal court end up abandoning their luxury lifestyles for the back-to-basics life of the forest no one really knows who they are anymore - let alone who anyone else is! In the midst of all this, the young people are trying to find love and everyone is looking for an end to the feuding.The Shakespeare Today series captures the magic of Shakespeare's text and sets it in an accessible and contemporary style.

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.